ROMEOVILLE— Based on the celebrated novel by Daniel Wallace and the acclaimed film directed by Tim Burton, Big Fish the Musical centers on the life of Edward Bloom (Stephen Cannon of New Lenox), a traveling man with tall tales who lives life to the fullest… and then some! Edward’s incredible, larger-than-life stories include a giant, a mermaid and many more. His stories thrill everyone around him – most of all, his devoted wife Sandra (Jenna Kirkeeng of New Lenox). But their son Will (Eliseo Martinez of Oswego), about to have a child of his own, is determined to find the truth behind his father’s epic tales. Overflowing with heart, humor and spectacular stagecraft, Big Fish is an extraordinary new Broadway musical that reminds us why we love going to the theatre. It is an experience that’s richer, funnier, and BIGGER than life itself.
Theatre Manager, Jo Slowik ‘88 of Joliet, directs this “delightfully old-fashioned musical.” Assisting Slowik are Becky Hicks of Joliet (vocal director), Stephanie Daley ‘13 of Lockport (choreographer) and Jordin Richards ’16 of Tinley Park (assistant choreographer). The cast includes Sean Barber ’11 and Christopher Hueg ‘11 of Crest Hill, Elliot Bilus, Sean Gallagher, Emma Herring and Amanda Mascarello of Mokena, Armondo Bouie, Zariya Butler, Bailey Garland, Ingrid Schwartz and Shelbi Voss of Joliet, Kayla Carson of Burbank, Emily Dow of Shorewood, Julia Egizio of Plainfield, Elena Gerk of New Lenox, Luke Murphy of Darien, Michael Norkus of Romeoville, Adeline Normand of Lockport, Kate O’Neil ’15 of Oswego, Alysa Sandoval of Tinley Park, and Carolina Soto of Rockdale.
Working behind the scenes are Michael Frale of Elk Grove Village (stage manager), Natalia Bednarczyk of Burbank and Kevin Bukauski of Tinley Park (assistant stage managers), Celeste Mackey of Joliet (costume design), Jackie Sabani ‘08 of Plainfield (assistant costume design), Andrew Nelsen ‘04 of Joliet (scenic and projection design), Adam Jezl-Sikorski of Burbank (lighting design), Ashley Stajura of Lockport (properties), Taylore Cephas of Chicago and Robert Kornaus ‘16 of Plainfield (microphones and sound reinforcement), Noah Smith of Joliet (light board operator), Kelly Carson of Burbank and Katy Papineau ‘16 of Kankakee (costume dressers), Cienna Jones of Joliet and Lauren Laverdiere of Plainfield (follow spot operators) and Dave Pomatto of Naperville (assistant technical director). Front-of-house staff is Adam Jezl-Sikorski of Burbank (box office) and Tyler Senjanin of Evergreen Park (house manager). The backstage running crew consists of Chris Pupik of Naperville and Daniel Staggs of Minooka.
This inspiring musical will run July 22-24 and July 28-31 and is recommended for patrons 6 years old and up. The evening performances are 8 p.m. and the Sunday matinees are 2:30 p.m. In addition, there is a 4 p.m. matinee performance on Saturday, July 30. Advanced tickets purchases are strongly encouraged. Ticket prices are $12 for adult and $11 for students and seniors. Lewis students pay $2 with an ID. For groups of 15 or more tickets are $10. Tickets are non-refundable. For more information, patrons can call the box office (815) 836-5500 Monday through Friday from 1-4:30 p.m. The theatre is located on the main campus, the Oremus Fine Arts Center on Route 53 in Romeoville.
by James McClure
Guest Directed by Michael Bassett, Sept. 30 – Oct. 2 & Oct. 6 – 9, 2016
The play takes place in front of the Manhattan apartment building where John Lennon was shot. Many New Yorkers spontaneously assembled that day to pay tribute to their idol, and it is from the stories of these people that the author builds his play. Included are a young advertising executive and a "women's libber" who had both been at Woodstock; a group of high school students preoccupied with romantic disputes and entanglements; a pair of Vietnam vets with larceny in mind; an elderly Jewish man from a neighboring building who mistakenly thinks that the murder victim was Jack Lemmon; and a hip young black would-be comic. The relationships of these characters are sometimes humorous, sometimes moving, sometimes menacing. The author focuses on the larger significance of the event, which has brought them together—the shock wave, which was felt across the nation by the further evidence of the violence and ugliness lurking in our communal soul.
"…we're transported right back to that December 1980 day of mourning when the songs of an era took on sad, new ironies, and when no one could think of the right words to express an inexplicable loss." —New York Times
by Daniel Sullivan and the Seattle Repertory Company
Directed by Keith White, Nov. 11-13 & Nov. 17-20, 2016
A Christmas Carol meets The Government Inspector meets Noises Off in this hilarious hit from The Seattle Repertory Company. A struggling theatre company is mounting its annual production of A Christmas Carol amid the very real threat of the funding being cut from the National Endowment for the Arts (NEA). They have received notice than an inspector from the NEA will be arriving to determine whether continued funding is warranted. At the same time, a man who may very well be the worst actor ever arrives to audition for the company. Mistaking him for the inspector, the director cast him in a leading role for the production. Add assorted backstage alliances, dalliances, disappearances and you have a recipe for disaster and hilarity. Inspecting Carol is a show that PLT patrons have wished to see again since the 1996 PLT production.
"I laughed till I cried...Sheer comic genius." - Journal American
"A Dickens of a giggle." - Seattle Times
"A rollicking farce." - Everett Herald
by David Lindsay-Abaire
Directed by Kevin Trudeau, Feb. 17-19 & Feb. 23-26, 2017
Welcome to Southie, a Boston neighborhood where a night on the town means a few rounds of bingo, this month's paycheck only covers last month’s bills, and where Margie Walsh has just been let go from yet another job. Facing eviction, Margie thinks an old fling, who has made it out of Southie, might be her ticket to a fresh new start. But is this self-made man secure enough to face his humble beginnings? Margie is about to risk what little she has left to find out. With his signature humorous glow, David Lindsay-Abaire explores the struggles, shifting loyalties and unshakeable hopes that come with having next to nothing in America.
"David Lindsay-Abaire pays his respects to his old South Boston neighborhood with this tough and tender play about the insurmountable class divide between those who make it out of this blue-collar Irish neighborhood and those who find themselves left behind.” – Variety
“Good People is poignant, brave and almost subversive in its focus on what it really means to be down on your luck." –New York Post
by William Shakespeare
Directed by Jo Slowik, April 21-23 & April 27-30, 2017
The PLT brings to the stage one of Shakespeare's most popular plays, A Midsummer Night's Dream. It portrays the adventures of four young Athenian lovers, a group of amateur actors and their interactions with the Duke and Duchess of Athens, and the fairies that inhabit a moonlit forest. A Midsummer Night’s Dream was written in 1595 or 1596. Some experts believe it was written to have its first performance in the gardens of a great country estate for the celebrations for an aristocratic wedding. As the fictional newlyweds King Theseus and Queen Hippolyta, Lysander and Hermia, and Demetrius and Helena watched Bottom and his friends performing “Pyramus and Thisbe,” a real-life bride and groom were in turn watching them! Shakespeare’s beloved comedy contains a play within a play and a world within a world, inviting audiences to enter a world of magic and fantasy and leave the theatre pondering, "was it all a dream?"
“Festival of love” –Jennifer Kramer, Philadelphia Shakespeare
“Beautiful, powerful, magical, dangerous” – Roseanne Wells, Theatre for a New Audience